$fracture movie new trial$ $fracture movie new trial$

He goads the first cop on scene, Rob (Billy Burke), who happens to be Jennifer’s lover. She goes down in fabulous fashion: shot in the face, her collapse appears from several angles and in slow motion, dark blood pooling beneath as Ted drags her body about, arranging the scene just so. Aware that his wife Jennifer (Embeth Davidtz, excellent in Hoblit’s excellent Fallen ) is sleeping with another man, Ted confronts her in their “homicidal modern” living room. The initial violence is delivered via stylish lighting and skewed camera angles. That they face off over a woman’s body only underlines the film’s grim dearth of imagination. Willy learns a lesson about ego, power, and morality, owing to the killer Ted’s (Anthony Hopkins) predictable underestimation of his adversary. Part police procedural, part courtroom hijinks, and part cunning murder plot, Gregory Hoblit’s new movie brings the usual canards. The cop’s response is impeccably deadpan: “Homicidal modern.”įlores (thanks largely to Curtis’ sly performance) provides the single freshness in Fracture. When at last Willy notices the tastefully designed space around him, he turns to Detective Flores (Cliff Curtis), asking what he would call it.

$fracture movie new trial$

“What’s the difference between Italian and English?” he wonders, while the nearby detectives roll their eyes. Willy arrives at the crime scene with cell phone in hand, trying to parse the finer points of office décor. Recently handpicked to join a glossy downtown firm that specializes in brilliant defenses for wealthy clients, he imagines this will be his last case for the prosecution. Deputy DA named Willy (Ryan Gosling) is distracted. Not that I don’t get some little pleasures returned from the pain.Īssigned to what seems an easy murder case, a young L.A.

$fracture movie new trial$

Fracture movie new trial